Here's something you might like!! Also available on streaming platforms.
☄️Movement 17 of the Spiders from Space symphony


on Soundcloud
on Deezer
on Spotify

I've got this idea that music should make people feel primal sensations, directly without any intermediaries like lyrics, or concepts. A sound that understands itself, and makes you more curious about it.

When completed, the album will release (in physical form too!), and i'll begin planning concerts/music videos.

Tuning - 384384:419328:429429:454272:473088:479232:524160:528528:576576:640640:707616:709632:768768
enumerated in Shasavic - Chyk, Zygni,Tschugni, Gnu, Chypk, Chylik, Zy, Chy, Fuli, Sciryk, Chygn, Ah
----
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Akasrav !!
Thanks for subscribing to TACHY BUNKER, I hope you will enjoy the journey.

Today i'm happy to announce that i'm slowly uploading one by one (on YT and Bandcamp) the different songs from my Spiders from Space symphony, until the entire album is up. In the meantime, you can also analyze and try to decipher the tracklist and its various easter eggs + references to older & future works.

Soon i will upload a lore wiki to my website, so you can all catch up on what the Tachy Bunker universe means.
First two uploads: Serres Cosmiques & Métastase du Temps which are already up as singles on my streaming profiles.
Physical CD's will be available to order on Bandcamp soon.
Cya soon! With more news to come...

SPIDERS FROM SPACE - microtonal symphony


Mv26: Tgelorian Party
Mv25: Halitus
Mv24: Éclipse Artificielle
Mv23: Ylem Absolu
Mv22: Rays of Dark Light
Mv21: Exode des Mondes

Mv20: Chants d'Arcilène
Mv19: Oubli Sub-Atomique
Mv18: Nadir Externati

Mv17: Serres Cosmiques (5-6D)
Mv16: Ultima Spiralis
Mv15: Monolithe Saignant
Mv14: Ignis Vorago
Mv13: Nausée Gravifique
Mv12: Gravité Hurlante
Mv11: Sépulcre Clusterien

Mv10: Tissu de l'Infinité
Mv9: Apex Obscura
Mv8: Rizhomatic Singularity

Mv7: Silence du Feu Froid
Mv6: Apostasy of Physics
Mv5: Nihil Vox
Mv4: Déchirure Dimensionnelle (7D)
Mv3: Thalassa Infinita

Mv2: Inscriptio Arcanum
Mv1: Métastase du Temps (2::5D)
Mv0: Éon Vorace

Caftaphata (T.B. Remix) - bonus

Attached Files

  mv1 Métastase du Temps.mp3 (Size: 11.64 MB / Downloads: 28)
  mv17 Serres Cosmiques.mp3 (Size: 9.62 MB / Downloads: 27)

this is what I have so far for my chord editor. I haven't really been working on it much as of recent because of other projects, but I figured I would share what currently exists



main issue I'm having is with automatically adjusting chords so that they don't overlap. it works sort of well, but still has a lot of jank (and whatever I did for the transcription video iirc actually works better than the current one)

also I've included 6D and 7D (what would 7D's icon be?) and 5D–7D's tonic-bounded variants

created by GranderUtai (@granderutai on discord)
here is a link to the English Shasavic Discord if you're not already there!

This new icon essentially references chordonyms using 2D and 5D (i will add dimension emojis soon to this forum)

Attached Files

Thumbnail(s)
           

  Grander-lampeng vectors.zip (Size: 1.68 KB / Downloads: 31)

dark and sparkly (14:22:33:64)

Attached Files

Thumbnail(s)
   

  AZyChyzi_My.mp3 (Size: 450.87 KB / Downloads: 41)

  precision mohaha RE.mp3 (Size: 4.64 MB / Downloads: 32)
So i'm making something currently for my Spiders from Space symphony. Have a youtube extract there!!

Chordonyms:
bar 20

ChyFuLyChygn/Fuli
ChyLyZyScirikChygn/Fuli
FuFuliChygn/Zygni
FuFuliGnuChygn/Zygni
ChyLyZyChygnSciryk/Fuli
ChyLyZyChygn/Fuli
ALyFuliZygn/Chygn
ALyFuliZygn/Chygn
AChyFugni/Fu
AChyFugni/Fu

bar 30

LyChygnZygni/Zy
LyScirykTschugn/Fu
ChyFuScirykGnu/Ly
ChyZyScirykGnu/Ly
ChyZySciryk/Tschugni
FuFuliFugnZygni/Zy

bar 36

ChyFuLyChygn/Fuli
FuLyChygn/Fuli
FuFuliGnuChygn/Zygni
FuFuliGnuChygn/Zygni
ChyLyZyScirykChygn/Fuli
ChyLyZyChygn/Fuli
ALyFuliZygni/Chygn
ALyFuliZygni/Chygn
ChyFuliFugni/Fu
ChyFuliFugni/Fu
ChyGnuFugniChygn/Ly
ChyGnuFugniChygn/Ly
ChyLyZyZygni/Gnu
ChyLyZyZygni/Gnu
ChyFuLyScirykChygn/Fuli

Hi everyone, 


I’m LΛMPLIGHT, the creator of harmononyms. Thanks to Tachy for kindly setting up this space, and I hope everyone will jump in to discuss reading/localizing them for different languages.

About harmononyms:
https://www.youtube.com/watch?v=hVrpHIak...5a&index=6


In the video, I’ve put together some ideas — not precise transcriptions, but aiming for consistency and to avoid confusion in each language, such as:

• Chinese: I’ve chosen to transcribe standalone forms as ‘-ei/-ou’ and suffix forms as ‘-i/-u’. If we transcribe “Scy” as ‘xī’ to keep it close to its original sound, it results in “Chy” being ‘hī’, which isn’t a natural sound in Chinese, so this is the compromise I made.
  
• Korean: I avoided using some batchim that could cause confusion. For example, if “-p” became ‘ㅂ’, harmononyms like “ChypMy…” (힙미…) and “ChymiMy…” (힘미…) could sound identical due to nasalization. Also, “Mry” would normally be ‘므리’, but I chose ‘믈리’ to prevent confusing “ChymiLy…” (히므/리…) with “ChyMry…” (히/므리…). It’s nonstandard to transcribe “r” as double ‘ㄹ’, but it avoids ambiguity.
  

Lisatopian – A simple and logical language
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Shasavic – A complex and rich language,
Tips for non-Japanese speakers

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This might be a dumb idea, but i thought, a lot of people have talked about how "loud" silence can be.
It usually refers to social contexts where information is communicated inverbally, at such an importance that other types of communication stop.
It may also be when senses are acute and observing, but there is nothing to observe.

So here is my question: How can we put loud silence into music? And how can we engineer the loudest silence ever?

Characteristic 1: simple visualization & unexpectedness
→ Music with repetitive patterns and at some point, silence. There should be clear progressive indicators to make an audience believe or imagine elements in their head while the silence is happening.

Characteristic 2: duration
→ Obviously the longer we can keep this phenomenon, the "louder" silence becomes.

Characteristic 3: illusory silence
→ Using almost completely cancelling sounds, if they're used binaurally and on a lower volume it might seem like a literal "weighted" silence.


Example ideas on the former characteristics:
C1.1 - Sudden noise followed by silence: emotional screams, industrial textures, musical cluster. The silence becomes an aftershock and might force the listener to reflect or stay in fear freeze. However this might make the loudness of silence shorter too.
C1.2 - Long unfinished progressions. The trick would be a cyclic progression sequence that modulates always, like ii-V-I (simple example but might be longer or more complex progression) and at some point you remove part of the progression. The listener might be able to "bridge" the cycles in the silences.


Another pattern i'm seeing is that here i'm trying to engineer with a "SOUND, SILENCE" order and not "SILENCE, SOUND" order. Maybe using the latter order you can find other alternatives to this, like resolving a ghost progression.